Paramount+ in June 2026: 8 premieres, including Two Years Later and Among Us

Two Years Later ran eight episodes and followed Emily and Ryan, two thirty-somethings whose daily flirtation on a shared bus commute ended abruptly when the pandemic hit. When they crossed paths again two years on, Ryan floated an unusual plan: eight dates to work out whether they belonged together. The series tracked those dates as the pair sorted through personal revelations, family complications, shifts at work, and the gap between how each of them saw the world. It aired as a romance with comedic edges, set against a city slowly coming out of lockdown.

Among Us brought the Innersloth video game to animation. The show centered on a crew of small, monochromatic characters hauling a load of junk across the galaxy aboard their ship. Their problem: one of them was not what they claimed to be. As the crew went about the work of keeping the ship running, they had to figure out which crewmate was secretly an Impostor working against them, before that Impostor picked them off one by one. The result mixed comedy with science fiction, drawn in the game’s blocky, recognizable style.

Lot Patrol was a scripted comedy set on the backlot of a major Hollywood studio. It followed a mismatched team of security guards tasked with keeping order across the lot, which mostly meant dealing with actors behaving badly, crew members going off-script, and the occasional crisis that had nothing to do with the job. The guards themselves were an odd bunch, each carrying a messy personal life that tended to spill into their shifts. The studio setting gave the show a steady supply of chaos to patrol, on screen and off.

Devotion: Obedience or Betrayal was a documentary about Gloriavale, an isolated and tightly controlled Christian community that kept itself apart from the outside world. The film looked at a group bound together by strict obedience and faith, and at the accusations that had begun to crack that structure from within. Claims of sexual abuse and efforts to conceal it placed the community under serious pressure, calling into question both its future and its insistence that it was not a cult. It premiered as a single release on June 2.

OG Stories was a documentary series built around long, candid conversations. Each installment handed the floor to people the show called OGs: street figures, self-made entrepreneurs, and others who built something out of very little. Hosted by Dash, the sit-downs were framed as knowledge passed directly from those who lived it, covering everything from getting through hard and dangerous years to breaking cycles that ran through families and neighborhoods. The series leaned on a cinematic look and let its subjects talk at length about how they shaped the culture around them.

ComicView: Rooftop Series put stand-up comedy on a Hollywood rooftop. Each episode featured three comics working through material on culture, family, and ordinary life, performing under the open sky with an audience close at hand. The loose setting left room for crowd back-and-forth, unannounced celebrity appearances, and the kind of unscripted moments that tend to travel online. The show positioned itself as a revival of the ComicView name, using the rooftop format to give newer comedic voices a platform. It premiered June 30.

The Agency returned for a second season with Martian, a CIA operative pulled out of deep cover and reassigned to the agency’s London Station. The move forced him back into a more exposed life, and it grew more complicated when someone from his past, a woman he had once left behind, turned up again and rekindled an old relationship. Season 2 kept the pressure on every front: his standing at the agency, the identity he had built undercover, and the mission in front of him all ran up against what he wanted personally, inside a world where a wrong step carried real danger.

All the Queen’s Men came back for its fifth season, set around Club Eden and its roster of male dancers. At the center was Marilyn DeVille, known as Madam, a nightclub owner who had clawed her way to the top of the business and ran her operation with a tight circle of people she trusted. The new season kept her in familiar territory: the more money and influence she gained, the more trouble seemed to follow. Madam spent the season defending her position in a world that mixed high stakes with plenty of risk.

Criminal Minds continued into its nineteenth season, staying with the FBI’s Behavioral Analysis Unit. The team’s job was to get inside the heads of the people they hunted, studying patterns of behavior closely enough to predict where a killer would go next and stop them before another crime happened. New episodes through June kept the unit working case to case, balancing the procedural mechanics of an investigation with the personal toll that came from spending every day immersed in violent crime.

Dutton Ranch ran new first-season episodes through June, following Beth Dutton and Rip Wheeler on the 7,000-acre spread they had fought hard to hold onto. Trying to build a life away from everything that came before, the couple ran into steep competition and circumstances that tested how far they were willing to go to keep the ranch running. Part of the season also followed Carter as the pair worked to shape the kind of man he would become. A rival operation pushed back against them at every turn.

The Chi returned for an eighth season built around a set of interlocking neighborhood stories. The show followed a group of residents whose lives kept crossing, often by chance, as they reached for connection and second chances. Among them were Kevin, growing up faster than he should have, Brandon, chasing a bigger future for himself and his relationship with Jerrika, and Emmett, a young man learning to handle responsibilities he had not expected, with his mother Jada close by. June’s episodes carried those threads forward.

RuPaul’s Drag Race: All Stars came back for an eleventh season, gathering competitors from earlier runs of the franchise for another round. Rather than introducing newcomers, the format brought back queens who had already competed, setting them against one another in a series of challenges to decide who would take the crown this time. New June episodes moved the field through those challenges, with the returning cast facing the judges again in pursuit of the All Stars title.

Tyler Perry’s Zatima continued into a fourth season centered on Zac and Fatima as a couple. The two moved to deepen their commitment, but the path did not stay smooth: new people entered their orbit, and choices each of them had made earlier kept resurfacing to complicate things. June’s episodes followed that tension between where the relationship was headed and the history neither could fully leave behind.

Celebrity Ex on the Beach returned for a fourth season, dropping eight single celebrities into a villa in Marbella. The premise kept the residents off balance, mixing surprise arrivals of other famous faces, sudden departures, unplanned dates, and ongoing attempts to pair people up. June’s episodes ran through that churn of new guests and shifting connections as the cast navigated life in the shared house.

RuPaul’s Drag Race All Stars: Untucked! ran alongside the main All Stars competition in its eighth season, turning the camera on everything that happened off the runway. The companion show went backstage to catch the conversations, tensions, and emotional moments that the main episodes left out, giving a fuller picture of how the queens dealt with the pressure of the contest. New June episodes tracked that backstage side week by week.

Tyler Perry’s The Oval continued into a seventh season set inside the White House. The series followed a family installed in the residence by powerful interests, while giving equal weight to the staff who actually keep the place running day to day. Those two layers, the public-facing family and the people working behind the scenes, drove the season’s overlapping storylines. June’s episodes kept both in play.

Love & Hip Hop: Miami returned for a seventh season rooted in the city’s music scene. The cast mixed established names and newer ones: Trick Daddy was back in the studio working with longtime collaborator Trina, while Amara La Negra pushed to break into the wider American market and ran into obstacles along the way. Entrepreneur and stylist Jojo Zarur figured into the season as well. June’s episodes followed their careers and personal lives across Miami.

Ms. Pat Settles It came back for a third season with comedian Ms. Pat presiding over real disputes. The format put actual conflicts in front of her, many of them involving relationships on the line, and let her hand down rulings with input from a jury of friends, family, and visiting comics. The comedy came from that running commentary as much as from the cases themselves. June added new episodes to the run.

The Daily Show kept going through June in its current run, sticking with the rotating-host approach that has carried the program lately. Different comedians took turns behind the desk, working through the news with satire, sit-down interviews, and field pieces from the show’s team of correspondents. The format let the tone shift from week to week depending on who was hosting, while the basic mix of topical comedy and guests stayed in place. New June episodes followed the news as it came.

Jersey Shore: Family Vacation continued into a ninth season, keeping the original cast together years after the show that first brought them on screen. Now older and with families of their own, the group reunited for another extended stay, this time settling into a house and picking up the dynamics that have always defined them. June’s episodes carried on the mix of group outings, long-running friendships, and the occasional flare-up that comes with the reunions.