Prime Video in June 2026: 4 premieres, including Every Year After and Would You Rather: Decide to Survive

Every Year After came from a story by Carley Fortune and told a romance that stretched across years rather than a single season. It centered on first love and on the way early relationships keep their hold long after the moment has passed. The series looked back at the people and the choices that leave a mark, the ones that stay with someone as life moves forward. The tone was nostalgic, built around memory and the pull of a connection that never fully fades.

Would You Rather: Decide to Survive turned the classic hypothetical game into a competition with real stakes. Two teams, made up of some of Britain’s funniest online personalities, faced challenges drawn straight from would-you-rather questions: be invisible or fly, fight one giant duck or a thousand tiny ones, eat a man-sized bean or a bean-sized man. Their answers carried consequences. The choices decided what the contestants had to do, what they ate, and ultimately who was sent home. It ran as a comedy first, with the game format giving the cast room to react to whatever the questions threw at them.

The Legend of Vox Machina returned for a fourth season of adult animated fantasy. The show followed Vox Machina, a band of misfits with a taste for drinking and fighting, who keep stumbling into trouble bigger than they planned for. What began as an attempt to clear a bar tab grew into a fight to protect the realm of Exandria from dark magical forces. Across the run the group ran up against threats ranging from a necromancer to a powerful curse, and each obstacle tested both their skills in a fight and the bond that held the group together.

Clarkson’s Farm came back for a fifth season at Diddly Squat, the farm Jeremy Clarkson runs in the English countryside. The series followed the actual work of keeping a farm and its shop going, and it did not smooth over how hard that work gets. Clarkson handled the day-to-day problems of weather, animals, crops, and paperwork, usually learning as he went. The comedy came out of the gap between what he expected and what the land actually demanded. Underneath it sat a plain look at how a working farm operates and how thin the margins can be.

Judy Justice kept rolling out new episodes through June, with Judy Sheindlin back on the bench. The retired Manhattan family court judge heard real disputes and handed down binding decisions, the same format that has carried her work for more than 25 years. The appeal stayed where it always has: sharp questioning, blunt assessments, and little patience for a weak argument. Litigants brought their cases, laid out their sides, and got direct answers, often faster than they expected. It ran as a steady courtroom series rather than a season with a fixed arc, adding episodes across the month.